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VA - New Life @ TMD Minimal Edition Vol.11 (2009) Download

Artist: VA
Title: New Life on TMD Minimal Edition Vol.11
Genre: Techno
Subgenre: Minimal, Tech House
Tracks: 100
Encoder: LAME 3.97
Duration: 12:12:55
Rls.Date: 01.11.2009
Quality: 320 Kbps / 44.1kHz / Joint-Stereo
Size: 1.6Gb

Dragi Prieteni, fiind unul din cele mai bune treckere din Moldova avem onoarea să vă prezentăm un nou proiect care va aduce muzică selectă în difuzoarele voastre.

Tracklist:
01.Ali Kuru - Wassa (Julien Chaptal Remix) by Apelsilin
02.Format B - Redux
03.Ok Corral - Pink Shue (Shades Of Gray Remix)
04.iO - Cabaret
05.Alex Niggemann & Superlounge - Chip Chip
06.Ronan Portela - Beat Up
07.La Pena - Dont You Feel House
08.Patric La Funk - Xylo (Original Mix)
09.Ramiro Lopez - Burn I N by Apelsilin
10.Gary Caos - Allegretto (Iranzo Lasia Remix) by Apelsilin
11.Sole Fusion - Bass Tone (H.O.S.H. Remix) by Apelsilin
12.Ok Corral - Pink Shue (Green Goblin Mix)
13.Johnny K - Irreversible (Original Mix)
14.Lemos - Kalooo
15.La Pena - Enjoy Music
16.Martin Patino - Sundays (Original Mix)
17.Edu Imbernon - Mayenco (Amir Remix)
18.Mass Prod - Sunset (Livio & Roby Remix)
19.Mihai Popoviciu Jay Bliss ToyGun - Pepper Funk
20.Moonbeam - Otaria Ursina [Original Mix]
21.Pryda - Waves (Original Mix)
22.Timo Maas - Bite The Dust (Simon Baker Remix)
23.Tom Ellis - Simple Truth (Original Mix)
24.Zoo Brazil - Tear The Club Up [Rene Amesz Snikkel Rework]
25.Andrea Oliva - 9 Seconds With Jazz
26.Delete (aka Sergio Munoz) - Dubb Trouble
27.Gel Abril - Mono Kalipta
28.Martin Patino & Enzo Elia - Bienvenidos
29.Patch Park - 7 Miles
30.Martin Patino - Black Dahlia (Original Mix)
31.Mass Prod - Sunset (Dub Mix)
32.Nima Gorji - Obbatala
33.Radio Slave - Orchestrating Maneuvers In The Dark (Mike Monday Remix)
34.Cocodrills - Never Stops (Anton Pieete Remix)
35.Noidoi - Octave
37.Nudisco - Violet (Uto Karem Remix)
38.Ricky L ft. MCK - Born Again (Pastaboys Dub Mix)
39.Analog People In A Digital World - Circus (Cagedbaby Mix)
40.Format B – Hot Rod (Hugo Remix)
41.Yvel & Tristan - Candela (Original Mix)
42.John Puzzle - The Naughty Flute (Smart Wave Remix)
43.Nima Gorji - Obbatala (Jairo Catelo Rmx)
44.Umek - Control Points (Original Mix)
45.Pryda - Aflon (Original Mix)
46.Kieran Brindley, Kalva - Ribeye (Original Mix)
47.Sultan & Ned Shepard - Roads Under Ramallah (Namito Wants His Vote Back Mix)
48.Erphun ft.Cari Golden - Bad Seed (Original Mix)
49.David Labeij - Aha by Apelsilin
50.Moonbeam - Night Traffic [Original Mix]
51.Joris Voorn - We Re All Clean (Original mix)
52.Ok Corral - Pink Shue (Ruby Imp Mix)
53.Patric La Funk - Xylo (Marcello V.O.R. & Daniel Marques Remix)
54.Flavio Diaz - Alysa (Original Mix)
55.Wally Lopez ft.Hugo - Noche Sin Luna (Original Mix)
56.Mendo - Everybody i Got Him (2009 Mix)
57.Format B – Hot Rod (Original Mix)
58.Radio Slave - Orchestrating Maneuvers In The Dark (Original Mix)
59.Umek - Curved Trajectory (Original Mix)
60.Catz 'n Dogz, Pol_On ft.Monty Luke - This Is What I'm Doing (Drama Queen Version)
61.Yvel & Tristan - Idakka (Original Mix)
62.Radio Slave - Orchestrating Maneuvers In The Dark (Troxler & Crosson Remix)
63.Noidoi - Mamadi
64.Marcus Meinhardt - H End Original
65.iO - Jeton (Original Mix)
66.iO - Matin (Original Mix)
67.John Puzzle - The Naughty Flute (Kornel & Francis W Remix)
68.iO - Broadway (Original Mix)
69.Yvel & Tristan - Pauper (Original Mix)
70.Popof - Brain On The Side
71.SIS - Uhhhh
72.Alex Young - Minimofongo (Ladies On Mars Remix)
73.Xenia Beliayeva - Music
74.Marcin Czubala - Revive La Noche
75.Sandy Huner - Rare Tap (2000 And One Cut)
76.Popof - Do You Want Me
77.Shemian - 1927 (Original Mix)
78.Jakob Hilden - Glamouflage
79.SIS - You Want A
80.Kabale Und Liebe - Lost In Thoughts
81.Mendo - 1992 (Original Mix)
82.Pirupa & Pigi - Breakdown (Original Mix)
83.Adam Freeland - Silverlake Pills (Gui Boratto Remix)
84.Alex Young - Minimofongo (Original Mix)
85.John Puzzle - The Naughty Flute (Original Mix)
86.Catz 'n Dogz, Pol_On ft.Monty Luke - This Is What I'm Doing (Original Mix)
87.Bukaddor & Fishbeck - Bonusmeilen (Kaiserdisco Remix)
88.Jaimy ft.May Britt & Michelle David - Take You Higher (Belocca Remix)
89.Ramon Tapia - You Know
90.Riva Starr ft.Noze - Black Cat, White Cat (Original Mix)
91.Noir,Westboy - She's Got My Heart (Original Mix)
92.Fake Blood - Mars (Style of Eye's Tool For School Remix)
93.Riva Starr ft. Noze - I Was Drunk (Original Mix)
94.Mihai Popoviciu, Jay Bliss & Praslea - Vegas
95.Mihai Popoviciu,Pagal & Jay Bliss - Inn Chant
96.Wally Lopez ft.Hugo - Noche Sin Luna (Namito's Green Hope Remix)
97.Frankie Watch - Pif (Original Mix)
98.Mendo & Danny Serrano - Coconuts (Original Mix)
99.Sleek (aka Liquid Soul) - Girls (Original Mix)
100.Luciano - Los Ninos De Fuera (Original Mix)

Techno?
Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, USA during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988.Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various African American styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Minimal?
Minimal (originally, minimal techno) is a form of electronic dance music that is considered a minimalist derivative of techno or a subgenre of techno. It is characterized by a stripped-down aesthetic that exploits the use of repetition, and understated development. This style of dance music production generally adheres to the motto less is more; a principle that has been previously utilized, to great effect, in architecture, design, visual art, and Western art music. The tradition of minimalist aesthetics in Western culture can be traced to the German Bauhaus movement (1919 to 1933). Minimal techno is thought to have been originally developed in the early 1990s by Detroit based producers Robert Hood and Daniel Bell

Style

In an essay published in the book Audio Culture: Readings in Modern Music (2004), music journalist and critic Philip Sherburne, asserts that minimal techno uses two specific stylistic approaches, one being skeletalism, and the other massification. According to Sherburne, in skeletal minimal techno, only the core elements are included with embellishments used only for the sake of variation within the song. In contrast, massification is a style of minimalism in which many sounds are layered over time, but with little variation in sonic elements. Today the influence of minimal styles of house music and techno are not only found in club music, but becoming more commonly heard in popular music.Regardless of the style, minimal Techno corkscrews into the very heart of repetition" so cerebrally as to often inspire descriptions like 'spartan', 'clinical', 'mathematical', and 'scientific.'
The minimal techno producer Daniel Bell has commented that he had a dislike for minimalism in the artistic sense of the word, finding it too "arty". Robert Hood describes the situation in the early 1990s as one where techno had become too "ravey", with increasing tempos leading to the emergence of gabba. Such trends saw the demise of the soul infused techno that typified the original Detroit sound. Robert Hood has noted that he and Daniel Bell both realized something was missing from techno in the post-rave era, and saw that an important feature of the original techno sound has been lost. Hood states that it sounded great from a production point of standpoint, but there was a 'jack' element in the [old] structure. People would complain that there's no funk, no feeling in techno anymore, and the easy escape is to put a vocalist and some piano on top to fill the emotional gap. I thought it was time for a return to the original underground.
The minimal techno sound that emerged at this time has been defined by Robert Hood as: a basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. It's a heart-felt rhythmic techno sound.

Origins

In his essay Digital Discipline: Minimalism in House and Techno Philip Sherburne also proposes what the origins of Minimal techno might be. Sherburne states that, like most contemporary electronic dance music, minimal techno has its roots in the landmark works of pioneers such as Kraftwerk and Detroit Techno's Derrick May and Juan Atkins. Minimal techno focuses on rhythm and repetition instead of melody and linear progression, much like classical minimalist music and the polyrhythmic African musical tradition that helped inspire it. By 1994, according to Sherburne, the term "minimal" was in use to describe any stripped-down, Acidic derivative of classic Detroit style.
Los Angeles based writer Daniel Chamberlin, attributes the origin of minimal techno to the German producers Basic Channel and in doing so fails to credit the contributions of Robert Hood or mention the influence of Hood, and other members of Underground Resistance, on the Berlin techno scene of the early 1990s (the scene out of which Basic Channel emerged). Chamberlin draws parallels between the compositional techniques used by producers such as Richie Hawtin, Wolfgang Voigt, and Surgeon and that of American minimalist composer Steve Reich, in particular the pattern phasing system Reich employs in many of his works; the earlist being "Come Out". Chamberlin also sees the use of sine tone drones by minimalist composer La Monte Young and the repetitive patterns of Terry Riley's "In C" as other influences. Sherburne has suggested that the noted similarities between minimal forms of dance music and American minimalism could easily be accidental; he also notes that much of the music technology used in EDM has traditionally been designed to suit loop based compositional methods, which may explain why certain stylistic features of minimal techno sound similar to works of Reich's that employ loops and pattern phasing techniques.

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